Was it simply a victory for fear over hope?How did the Better Together campaign come so close to losing it?How did the Yes campaign come so close to winning it?What can the people of Scotland - and other aspirant nations - learn from this seismic democratic event? Scotland's independence referendum on 18 September 2014 was the most significant ballot in Scotland's history. The 100 days up to 18 September was the official campaign period and the world's media was watching. David Torrance was there throughout, in front of the cameras, on the radio, in the newspapers, at the debates and gatherings, privy to some of the behind-the-scenes manoeuvrings.A passionate federalist at heart, described disparagingly by the outgoing First Minister as 'Tory-leaning', Torrance made a valiant attempt to remain 'professionally neutral' throughout. His commentary and analysis as the campaign went through its many twists and turns was always insightful, if not always popular.'Reading this diary back during the editing process it was clear that, like (Nate) Silver (the US polling guru whose view was that the Yes campaign had virtually no chance of victory), I got a lot of things wrong (including the likely margin of victory) but also many things broadly correct. At least I can plead, as journalists often do, that I was probably right at the time.'His diary is deliciously gossipy, entertainingly indiscreet, and a must-read for political geeks as well as those who want to see what goes on behind the scenes of Scotland's politics and media.STEPHEN DAISLEY, STVDavid Torrance has emerged as one of the campaign's most important commentators... [his] unauthorised biography of Alex Salmond, Against the Odds, has become the prescribed text for the flying columns of English-based and overseas journalists converging on Scotland in this our hour of destiny.KEVIN McKENNA, Scottish Review of BooksTorrance has secured himself a prominent position in the referendum debate, partly through the strategic use of nice jumpers and expertly crafted hair, but largely on merit ... [he deserves] far better than the lazy impossibilist critiques to which [his federalist] proposals have been subjected.RORY SCOTHORNE on Britain RebootedF*** sake... David Torrance on again. Is the greasy weasel never aff the telly?CALUM FINDLAY [on Twitter]

A collection of 100 favourite Gaelic poems and songs – love poems and hymns, sea ditties and war poems, lullabies and elegies – many translated into English for the first time. Selected by Peter Mackay and Jo MacDonald, and including public nominations, these poems give a multi-layered taste of the full richness of Gaelic literature from the Middle Ages to the present day. Cruinneachadh de 100 dàn agus òran Gàidhlig de dh'iomadh seòrsa agus o iomadh linn – nam measg bàrdachd gaoil agus laoidhean, òrain mara agus òrain cogaidh, tàlaidhean agus marbhrainn. Air an taghadh le Pàdraig MacAoidh agus Jo NicDhòmhnaill, le molaidhean an t-sluaigh, tha an cruinneachadh seo a' toirt blasad de shàr-bheartas litreachas na Gàidhlig.

In 50 Shades of Hillwalking , Ralph Storer takes a quirky look at the peculiar pursuit of messing about on mountains and presents us with 50 personal hillwalking experiences. Walking, climbing, mountain biking, caving - Ralph has tried it all, but admits to expertise only in the lost art of 'festering'. With room also for contemplation and argument, his inimitable 50 Shades will amuse, inspire and inform. Follow in his footsteps as he roves from the Lake District to the Alps, from Snowdonia to Scandinavia, and from the Scottish Highlands to the deserts and canyons of America. Warm to his intrepid exploits of derring-do as he gets snowbound in a tent, gets stuck on ice falls and in caves, and falls off mountain bikes and down sand dunes. Culled from not-yet-a-lifetime of eclectic escapades both at home and abroad, brought to life by carefully selected images, this highly entertaining collection of stories will resonate with anyone whose aspirations outstrip their ability. PRAISE FOR RALPH STORER: His books are exceptional' he subverts the guidebook completely. THE ANGRY CORRIE Storer is happy to share numerous irreverent insights into the hills, and this acts as a timely reminder that walking should be primarily about enjoyment of the great outdoors. ABERDEEN PRESS AND JOURNAL A treat for all hillwalkers active or chair bound' Ralph Storer rambles over all aspects of enjoying and suffering, not only Scottish, but the world's hills. SCOTS INDEPENDENT on The Joy of Hillwalking

In this informative book, Annie Miller does not only explore the idea of basic income: she exhaustively explains what it is and what it would mean to implement, using extensive economic data. Miller starts off from a broad, existential position, outlining why the current system is no longer suitable for the times and needs to change. Her proposed solution is a society with BI, which she first outlines abstractly before diving into its internal workings, explaining who would be eligible for BI, what would happen to the rest of the welfare system, and other crucial details. Miller backs up her statements with substantive economic research and analysis. She ends with a section on how to achieve a society with BI, giving examples of pilot schemes elsewhere and discussing the politics behind implementation. Thus she brings the reader full circle from aspiring to a BI society, to seeing what it would take to reach it.

This collection of seminal correspondences between Indian Nobel Laureate Rabindranath Tagore and Scottish polymath Robert Geddes are testimony to a great friendship and an even greater marriage between Eastern and Western schools of thought. This compilation uncovers a confluence of ideas on the environment, science, rural reconstruction and a holistic approach to education that resonates with the lived experiences of its students.

Walter Stephen provides an uninhibited look at the misery and toil of World War I through a collection of twelve stories. Providing a Scottish perspective, he takes a look at reports from home and abroad with scepticism, delving deeper to unveil the unencumbered truth.Recalling Siegfried Sassoon's words, Stephen reveals the failures of those in command as the Great War became known as A Dirty Swindle. The varied accounts chronicle the progress of troops from recruitment to training to the frontline, as well as revealing a side of Field Marshal Haig never seen before.

What's the difference between a meggie-monyfeet and a hornie-gollach? Between snap-an-rattle and murly-tuck? All is explained in the Doric Dictionary. It is a two-way lexicon of words and phrases drawn from the former Banffshire in the North through Aberdeenshire to the Mearns and North Angus and drawn from the published works of most the North-east's best-known writers of the 19th and 20th centuries. As the writer says in his foreword, 'There is not one monolithic form of Doric but a multliplicity of forms; and words can change not only from county to county but from village to village'. The Dictionary contains no fewer than eight variants of the term for a seagull. This new version (2018) is enhanced by a most stimulating injection of Buchan vocabulary drawn from W. P. Milne's historical novel, Eppie Elrick.

'Scotland as I saw it on this journey is vibrant and exciting and very much alive, a tartan patchwork of the past, present and future of the country woven together by all those people who have ever called it 'home' and all the others who will.'James McEnaney sees Scotland as a 'complicated and conflicted place' that needs a disruption of the status quo. He presents the country as he found it on his journey – struggling with contemporary mistakes and historic wrongs, but also bustling with energy and expectation, ultimately offering glimpses of the better, brighter future which might just be on the way.

Witchcraft holds a continued fascination for readers around the world, and the Scottish witch hunts have recently received renewed media attention, especially with the BBC 2 show Lucy Worsley Investigates, bringing attention to Edinburgh's witches. Expert Mary Craig explores the unusual story of Agnes Finnie, a middle class shopkeeper who lived in the tenements of Edinburgh. After arrest, most witches were tried within a matter of days but not Agnes. Her unusual case took months with weeks of deliberation of the jury. Mary explains why and gives her expert insight into the political and religious tensions that led to her burning. The book will interest a variety of readers, academics and non-academics alike – those interested in witchcraft, British and Scottish history, religious studies and women's studies. Mary Craig works as a historian with museums, archives and schools and hosts regular, well-attended events on the subject of witchcraft in the Scottish Borders. We expect strong media coverage. The Witches of Scotland campaign has recently gained traction and the attention of first minister Nicola Sturgeon, calling for a pardon and apology to those accused during the witch hunts.

Since the 1990s, performative art has been increasingly accepted into the cultural mainstream, becoming a familiar and popular feature of art galleries and museums, as shown by the Tate Modern's recent 'Collecting the Performative' project. As art historian Roselee Goldberg notes, 'The term "performative", used to describe the unmediated engagement of viewer and performer in art, has also crossed over into architecture, semiotics, anthropology and gender studies. 'But what is performative art? What about its radical origins? How does it remain politically engaged? Writer, curator and lecturer at the Glasgow School of Art, Sarah Lowndes, takes us through the world of performative art, using five case studies spanning from the 1960s to the present day. A series of essays and conversations, All Art is Political explores the work of artist-musicians Mayo Thompson and Keith Rowe, Berlin-based artist Thea Djordjadze, Glasgowbased Turner Prize winner Richard Wright, American conceptual artist Susan Hiller and German-Swiss artist and writer Dieter Roth. What is a literature sausage? How do you transform reading coffee grinds into contemporary art? How do you incorporate live radio broadcasts into a musical performance? What does it mean to draw attention to the marks accidentally left behind by previous uses of the exhibition space? How do you bring out the latent brutality of Punch and Judy shows? For the answers to these questions and many more, indulge in the pages of All Art is Political. REVIEWS An interesting and insightful collection of thoughts about the urgency of vision, how audiences work together with artists to enact the bodily labour of seeing and understanding, and how politics and the performative can be embedded in the material presence of art. Dr FIONA BRADLEY, DIRECTOR, FRUITMARKET GALLERY In her observant close readings of artists' practices and interviews with artists, Sarah Lowndes shows how artists themselves have navigated this territory, giving attention to the question of politics from the perspective both of theory and of the artwork itself. MELISSA GRONLUND, EDITOR, AFTERALL

In post-war Glasgow a primary school class was set a composition topic: a memorable family event. Each child completed the assignment – all, that is, but one. Why didn't you write about your family? Please, miss. I didn't, I didn't know what to write. But now, he does. In Already, Too Late, Carl MacDougall, one of Scotland's most accomplished and celebrated literary writers, presents a memoir of extraordinary authenticity and honesty. This memoir takes us through MacDougall's upbringing, both in and out of care on the west coast of Scotland, Fife, and industrial Glasgow, during the first decade of his life. Within this world, now teetering on the brink of our collective memory, sits a single-parent household of German descent; money is tight, trauma roams free and tragedy comes calling again and again. Through a powerful mosaic of stories, MacDougall strips away all rose-tinted sentimentality to create a vivid account of heart-break, dissociation and loss. Already, Too Late is the early life of an outsider looking in, a changeling child, displaced, alone, and – in his own grandmother's words – 'no right'. Because for some, even the very beginning is already too late.

Tha an t-eilean làn de sgeulachdan agus tha Tormod gan cluinntinn a h-uile taobh dhan tèid e. Cha ghann nach cluinn e mu na saighdearan Ròmanach, còtaichean seunta, agus mu dhaoine air an toirt a thaobh, air neo am bruid, air sgàth an cuid aineòlas, agus droch rùn chàich. Ach, chan e a h-uile càil a tha freagarrach do chluasan òganaich agus cluinnidh Tormod, 's a chluais ri claisneachd, gu leòr a tha ga chur a rannsachadh mu cò a b' athair dha, am measg nithean eile. Cluinnidh e sop às gach seid bho a nàbaidh Ruairidh, a mhàthair is cailleachan na bùtha, ach chan eil e idir furasta do Thormod bun no bàrr a dhèanamh dheth. Nach fheàrr neoichiontachd na h-òige na bhith air do bhuaireadh cus le còmhradh a tha am beul dhaoine? The island is full of stories, and Tormod hears them everywhere—at home, at school, and from Ruairidh next door. There are stories about Roman legions and enchanted tweed coats and men carried off by brutal pressgangs and self-proclaimed bards who would steal a song right out of your mouth. And then there are the stories he isn't supposed to hear, and maybe one of them will explain a few things that puzzle him, like why he doesn't have a father. Stories can change with every telling, and a little boy's innocence can't last forever. Am Balach Beag a dh'Èisteadh aig Dorsan agus na chuala e (The Little Boy who Listened at Doors ) explores the power of stories and the motives of people who tell them.

Shortlisted for 'Polemic of the Year' at The Paddy Power/Total Politics Political Book Awards 2013!Following an introductory chapter exploring why political argument deals in probability and plausibility across interdependent areas of social activity not certainty in individual areas, this book offers a case for independence under six main headings - the democratic case, the economic case, the social case, the international case, the cultural case and the environmental case. Under each heading, the case is assessed against both the supportive evidence and the hostile evidence, from a variety of sources, concluding with a judgement of where the balance of the evidence points. The book concludes with a selection of populist objections to independence answered by summary rebuttals from the independence file. Reviews Maxwell has done his homework assiduously. The key historical, social science and political sources on the subject have been marshalled with skill and to good effect... The author writes in coherent and lucid prose so even complex economic arguments can be reaily understood and absorbed. SUNDAY HERALD This is a book of profound thought, intelligence and wit. To my mind it is the best book on the need for Scottish Independence and it certainly should be read and cherished by all of us who hope to contribute to the campaign. Stephen stimulated many of us for years, but this is his final and most powerful work. As Owen Dudley Edwards says in his Preface: "This book lifts the entire debate on Scottish independence to a new intellectual level. PAUL HENDERSON SCOTT Back Cover Independence: a nation's right to effective government by its people or for its people Evidence: interpretation of facts Risk: likelihood that outcomes will not be as predicted Wicked issues: problems perceived to be resistant to resolution What sorts of arguments and evidence should carry the most wight in assessing the case for and against Scottish independence? Given the complexity of the question and the range of the possible consequences, can either side in the argument protend to certainty, or must we simply be satisfied with probability or even plausibility? Are there criteria for sifting the competing claims and counter-claims and arriving at a rational decision on Scotland's future? In Arguing for Independence author Stephen Maxwell opens with a chapter on The Ways We Argue before exploring the strengths and weaknesses of the arguments for independence under six main headings: the democratic case the economic case the social case the international case the cultural case the environmental case. He also provides his own concise answers to some of the most frequent 'Aye but' responses to the case for independence. By offering an assessment of the case for independence across all its dimensions, Arguing for Independence fills a longstanding gap in Scotland's political bookshelf as we enter a new and critical phase in the debate on Scotland's political future.

Arthur's Seat is climbed (or walked up and around) by thousands of people each year. The views from the top of the 350-million year old landmark are breathtaking. In this book, Stuart McHardy and Donald Smith interweave the tales of folklore and customs that surround this iconic hill. Review Draws on folklore tales and real life stories to create a unique walkers' guide to the famous ridges, crags and valleys that make up the hill. EDINBURGH EVENING NEWS Back Cover: Standing in the Hunter's Bog with the Salisbury Crags to the west, Dasses to the east and the great summit crag rising above, you could be deep in the Highlands. There is no sight and very little sound of the modern cityscape all around. STUART McHARDY Arthur's Seat, rising high above the Edinburgh skyline, is the city's most awe-inspiring landmark Although thousands climb to the summit every year, its history remains a mystery, shrouded in myth and legend. Quickly and suddenly we lose the sense of ciy. Through the park is now surrounded by Edinburgh, it still retains a sense of wildness. DONALD SMITH The first book of its kind, Arthur's Seat: Journeys and Evocations is a salute to the ancient tradition of storytelling, guiding the reader around Edinburgh's famous 'Resting Giant' with an exploration of the local folklore and customs associated with the mountain-within-a-city. Inspired by NVA's Speed of Light, a major event in Edinburgh's International Festival and the country-wide Cultural Olympiad, Journeys and Evocations brings together past and future in a perspective of the Edinburgh landscape like no other. A place where time does not pass but simply adds up. ROBERT GARIOCH

A panorama of ideas about nationality and culture, Arts and the Nation arose from the conviction that Scotland can never be really democratic until it gives the arts the priority of place and attention they demand. This book is a fresh take on subjects new and old, with multifaceted ideas of nationality and culture. Those featured include:William Dunbar, Duncan Ban MacIntyre and Elizabeth Melville are read alongside international authors such as Wole Soyinka and Edward Dorn.J.D. Fergusson, Joan Eardley and John Bellany are considered with American Alice Neel and the art of the ancient Celts.Composers like John Blackwood McEwen, Cecil Coles and Helen Hopekirk are introduced, amongst discussions of education, politics, social priorities, the mass media and different genres of writing.What was the real reason Robert Louis Stevenson dedicated his dark masterpiece to his cousin Katharine de Mattos?Why was Katharine's own tale of duality published under a pseudonym?When Fanny Stevenson 'stole' another story idea from Katharine, why did RLS explode with Hydelike rage at the cousin for whom he had once been 'the one that loves you – Jekyll, and not Hyde'?Featuring the full text of Katharine's tale of duality, Fanny's stolen story and another tale revealing Katharine's grief at losing her cousin's love forever, Mrs Jekyll & Cousin Hyde sheds new light on one of the greatest Victorian authors.

This innovative book provides a new perspective on Basic Income - a regular, unconditional payment to every citizen of the country. This comprehensive book has been rigorously researched and thus will appeal to academics, policy-makers, and the general reader concerned about the current state of social security in the UK. Basic Income in practice, A Basic Income includes details of real Basic Income Schemes.

On 26 November 2008, India came under a series of horrific terrorist attacks which killed more than 150 people, and injured hundreds more. Scottish banker Roger Hunt was staying at the Oberoi Trident Hotel in Mumbai and found himself caught up in the siege. Trapped in his hotel room, defenceless against the suicidal terrorists killing people in cold blood, Roger was forced to rely on his instinct. This account of a terrifying ordeal is at once poignant, gripping and captivating in its raw, honest narration of an ordinary man thrown into the path of danger and pushed to the limit in his struggle for survival. Review: Roger Hunt had just finished dinner in Mumbai's five-star Oberoi Hotel when a waitress tried tempting him with the desserts on offer. But he decided against another course. It was the first of a series of decisions that would save his life, as the restaurant was strafed with machine gun fire just a few minutes later. DAILY RECORD

The six months that Robert Burns spent in Edinburgh, between the Aryshire years and the short-lived maturity in Dumfries, were an intense time in the life of a poet who became a Scottish hero. Burns is an icon, but he is a flawed one. The great bard was fond of drink, women and over familiar with Edinburgh's underworld. He was often conflicted with crippling self-doubt about his talents and bitter about his place in society. Duringhis short time in Edinburgh, Burns had dealings with the infamous Deacon Brodie; was struck by inspiration and failed by his muse; and, fell in love with two unavailable women and bedded many more than that. While never straying from accepted Burns' history, this remarkable novel imagines the life of Burns' in those months to discover the flesh and blood man behind the legend. BACK COVER Among the dirt and smoke of 18th century Edinburgh, the great poet ponders his next move. Frustrated with the Edinburgh literati and the tight purse of his publisher, Burns finds distraction in the capital's dark underbelly. Midnight assignations with working girls and bawdy rhymes for his tavern friends are interupted when he is unexpectedly called to a mysterious meeting with a dangerous man. But then Burns falls in love, perhaps the only real love in a lifetime of casual romances, with beautiful Nancy, the inspiration for 'Ae Fond Kiss'. Donald Smith has woven the real life love affair of Nancy and Burns into a tantalising tale of passion and betrayal, binding historical fact and fiction together to create an intimate portrait of Burns the man.

As a young man with a compelling interest in the great outdoors and the natural world Allister ('Ashie') Brebner spent his precious weekends in the 1950s and early '60s as a pioneer of the emerging Scottish bothying and mountaineering scene, and was one of the builders of the famed Secret Howff on Bheinn a' Bhuird in the Cairngorms. At the start of the 1960s he threw in his steady, well-paid job as a factory worker and, with another companion who did the same, started as a pioneer of mountain and nature guiding in the Scottish Highlands. Here is the unique story of a working man whose odyssey took him from the tenements and factory work of Aberdeen to the mountains and islands of the Highlands, their people and their wildlife.

Blossom is an account of Scotland at the grassroots through the stories of people I've had the good fortune to know – the most stubborn, talented and resilient people on the planet. They've had to be. Some have transformed their parts of Scotland. Some have tried and failed. But all have something in common – they know what it takes for Scotland to blossom. We should too…Weeding out vital components of Scottish identity from decades of political and social tangle is no mean task, but it's one journalist Lesley Riddoch has undertaken.Dispensing with the tired, yo-yoing jousts over fiscal commissions, Devo Something and EU in-or-out, Blossom pinpoints both the buds of growth and the blight that's holding Scotland back. Drawing from its people and history as well as the experience of the Nordic countries, and the author's own passionate and outspoken perspective, this is a plain-speaking but incisive call to restore equality and control to local communities and let Scotland flourish.